![]() Cheapjack drivel like Desperately Seeking Seka, in which a Swedish journalist visits the U.S., ogles anonymous porn starlets at adult conventions, and haphazardly tracks down his favorite 1980s porn star to ask her banal questions in between sleazy film clips, sum this one up. Holmes, which portrayed “Johnny Wadd” as a compulsive liar, drug addict, and all-around sociopath.įinally, there’s class 3, which I’d call the Bottom Feeder. Sex: The Annabel Chong Story, with its heroine revisiting the site of her gang rape and cutting herself, fits here, as does Wadd: The Life and Times of John C. On the flipside of the coin, class 2 would be the Nightmare Narrative, depicting the porn world as a sordid matrix of exploitation, abuse, and pathology. Porn Star: The Legend of Ron Jeremy, and Inside Deep Throat exemplify this category, acknowledging the dark and grimy aspects of the industry but marginalizing their significance. Class 1 might be called the Good Times movies, films that celebrate pornography as an expression of sexual liberation and construct porn stars and filmmakers as a cute, cuddly bunch of loveable rebels. Enough porn documentaries now exist to devise a tripartite taxonomy for the subgenre.
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